Mies held that elegance of architectural design______.A．was related to large spaceB．was identified with emptinessC．was not reliant on abundant decorationD．was not associated with efficiency

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared. What can we learn about the design of the“Case Study House”?A.Mechanical devices were widely used. B.Natural scenes were taken into consideration. C.Details were sacrificed for the overall effect. D.Ecofriendly materials were employed.

多选题Which two statements are true about Oracle ActiveCache ？（）Ait supports very large data-sets such as the result-sets from large search queries to be held in memoryBit provides a set of management tools that enables automation of configurationCit provides enhanced visibility across the entire application infrastructureDit significantly increases the performance of Web-based applications with no code change

多选题Why would you run the delete obsolete command？（）ATo remove missing backup set pieces physically from diskBTo remove metadata related to backup set pieces in the control file and the recovery catalogCTo mark as deleted records in the control file and the recovery catalog associated with obsolete backup setsDTo delete backup set pieces associated with backups that are no longer needed due to retention criteriaETo remove old versions of RMAN backups

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared. What is true about the apartments Mies building Chicago's Lake Shore Drive?A.They ignored details and proportions. B.They were built with materials popular at that time. C.They were more spacious than neighboring buildings. D.They shared some characteristics of abstract art.

单选题The power developed by a large slow-speed main propulsion diesel engine is dependent upon the （）A quantity of air it takes in and retains in the cylinders during a given time periodB proportion of trapped air that is utilized in the combustion processC thermodynamic efficiency of the engine cycleD all of the above

Why would you run the delete obsolete command？（） A、 To remove missing backup set pieces physically from diskB、 To remove metadata related to backup set pieces in the control file and the recovery catalogC、 To mark as deleted records in the control file and the recovery catalog associated with obsolete backup setsD、 To delete backup set pieces associated with backups that are no longer needed due to retention criteriaE、 To remove old versions of RMAN backups

单选题Exhaust valve openings in a diesel engine cylinder head are made as large as practical to （）A increase back pressure during the exhaust processB facilitate periodic replacement of the valvesC reduce the pumping loss associated with scavengingD reduce tension on valve springs

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared. Which of the following can be inferred from Paragraph 3 about the Bauhaus?A.It was founded by Ludwig Mies van der Rohe. B.Its designing concept was affected by World War II. C.Most American architects used to be associated with it. D.It had a great influence upon American architecture.

In the design of a QoS solution， which two factors should be taken into consideration？（）A、 On congested links， all forms of traffic will require some form of QoS.B、 All traffic types and requirements should be examined to determine the number of traffic classes required.C、 In the implementation of link efficiency mechanisms on links that typically transport relatively large packets， header compression will be most efficient.D、 In the implementation of link efficiency mechanisms on links that typically transport relatively small packets， header compression will be most efficient.E、 In the implementation of link efficiency mechanisms on links that typically transport relatively small packets， payload compression will be most efficient.F、 Payload compression provides more available bandwidth and reduces processing delay time.

单选题The discharge head of a centrifugal pump will vary directly with the （）.A change in impeller diameterB square of the impeller diameterC cube of the impeller diameterD impeller efficiency for large changes in the size of the impeller

Mies held that elegance of architectural design______.A．was related to large spaceB．was identified with emptinessC．was not reliant on abundant decorationD．was not associated with efficiency

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