We get the impression that the author seems to be ______. Hardy's impulses as a writer.
A．amazed at
B．critical of
C．fed up with
D．interested in
第1题：
A.which we get, which we give
B.what we get, what we give
C.which do we get, which do we give
D.how we get, how we give
第2题：
It seems that the author disagrees to explain ______.
第3题：
A.blind fondness
B.mounting defiance
C.total acceptance
D.deep understanding
第4题：
It was the second semester of my freshmen year. After several drinks, a group of friends and I went out looking for a patty. The Only problem was that it was a dry campus tier weekend. But we still managed to find an off-campus party that was kicking. I still have no clue how I got there.
When we got there, the party was already in full swing. They had a bar in a separate room in the house and roommate and I walked right over to it as soon as we saw it. And man, did they have cheap drinks So we were like "yeah let's have a few." Of course at that point we weren't thinking about how we were going to get back to our dorm.
After two whiskey sours and two screw drivers, I was gone. I didn't realize that I was drunk until I hit my head on (the hard part of the couch) and felt absolutely no pain. One of my friends was trying to take my money away so I couldn't buy any more to drink. Not that it would have mattered anyway, as I was sneaking sips from other people' s drinks by then.
An hour later, I was completely drunk, and we made a group decision to leave the party. One problem, though, no one knew how to get home, so I drunkenly said" I know how to get home. Thanks for the great party!"
Of course, no one offered to walk us back. I guess they though that 8 girls, including 2 who were completely trashed, would be fine walking alone back to campus. And I guess they believed my drunken rambling, who knows.
Luckily, I have a pretty good sense of direction and we walked the 4 to 6 blocks back to campus. My roommate and I couldn't walk that well so the walk seemed to take forever. Once we got back to campus, however, we met up with this guy who was going to take us to another frat party just off campus (across the street from campus, actually). I was all pumped to go but--first things first---all of us had to pee.
So we stopped in a nearby dorm. One of my friends went in first and ended up overflowing the toilet (the funny thing is that she was stone sober). My drunk roommate and I then decided that we had to really pee and that we would just go back to our dorm.
So the two of us wandered back to our dorm, making a short stop at the emergency
phone to call a friend and tell hex that we were drunk. After that, we managed to get back to our dorm, without any problems.
1.When the author and his fellows got there, the party____.
A.had ended
B.was having reached a very active stage
C.was ending
D.was just beginning
2.That night, the author was____.
A.seriously drunk.
B.completely lost
C.out of touch with his fellows
D.all of the above
3.What happened to them on their way back to campus?____
A.It took them a long time to get to the campus.
B.They met another guy who would like to take them to another party.
C.He felt like relieving nature.
D.All of the above.
4.Who was not drunk according to the passage?____
A.The author herself.
B.A girl who ended up ore, owing the toilet.
C.The author's drunk roommate.
D.All of them.
5.From the context, the word "dry'' in line two means____.
A.not wet
B.lacking humidity,
C.producing
D.thirstdull
第5题：
It's a long way to get there. This is _____we started so early.
A. what
B. how
C. why
第6题：
Thomas Hardy's impulses as a writer, all of which he indulged in his novels, were numerous and divergent, and they did not always work together in harmony. Hardy was to some degree interested in exploring his characters' psychologies, though impelled less by curiosity than by sympathy. Occasionally he felt the impulse to comedy (in all its detached coldness) as well as the impulse to farce, but he was more often inclined to see tragedy and record it. He was also inclined to literary realism in the several senses of that phrase. He wanted to describe ordinary human beings; he wanted to speculate on their dilemma rationally (and, unfortunately, even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.
In his novels these various impulses were sacrificed to each other inevitably and often. Inevitably, because Hardy did not care in the way that novelists such as Flaubert or James cared, and therefore took paths of least resistance. Thus, one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist-scientist to record exactly and concretely the structure and texture of a flower. In this instance, the new impulse was at least an energetic one, and thus its indulgence did not result in a relaxed style. But on other occasions Hardy abandoned a perilous, risky, and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. When a relaxing impulse was indulged, the style. —that sure index of an author's literary worth —was certain to become verbose. Hardy's weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. He submitted to first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses —a desire to be a realist-historian and a desire to be a psychologist of love —but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.
The most appropriate title for the passage could be ______.
A．Under the Greenwood Tree: Hardy's Ambiguous Triumph
B．The Real and the Strange: the Novelist's Shifting Realms
C．Hardy's Novelistic Impulses: the Problem of Control
D．Divergent Impulses: the Issue of Unity in the Novel
第7题：
From the text we can conclude that the author ________.
[A] is supportive of both sides
[B] favors the townsfolk’s view
[C] takes a detached attitude
[D] is sympathetic
第8题：
Anna is our only daughter. My wife and I have two sons, and Anna is the youngest in the family, but she's twenty-five now. Anna was not well when she was little. It was a very worrying time and she stayed at home a lot. She was seen first by the local doctors, and then she was sent to a specialist in Cardiff where she was diagnosed as diabetic. It was my wife who mainly took care of her then. I am not very good at looking after little children. I suppose I am a bit traditional in that way. But when she grew up a bit, we spent a lot of time together. We loved walking and talking and discussing life. We still love it today. We get on very well. Although she looks like me (tall, dark hair, dark eyes and dark skin), she takes after her mother: she is artistic and musical, and like her mother she's attractive. She loves looking after animals - she has two dogs, three cats and a goat. She lives in a little house in the country. I like animals too. I like riding and hunting, but Anna hates hunting. She thinks it's cruel. We discuss it a lot. She is quiet and a bit shy with strangers. I am more outgoing and I love meeting new people. But she's not boring - actually, she's very funny. She always has lots of stories of her life in the country. She's an art and music teacher in a little village school. She is very good-natured. Anna says we brought her up well, and she's going to bring her children up to be honest and loyal. But I think she was easy to bring up. I don't remember ever telling her off.
1.According to the passage, when Anna was a child, she ().
2. It can be inferred from the passage the author thinks looking after little children is ().
3. What does 'take after' mean in the first sentence of Para. 2?
4. My daughter and I have little in common in terms of ().
5. From the passage, we can see the author's description of his daughter is ().
(1).A、got an illness
B、was very queer
C、didn't look like the author
(2).A、his advantage
B、mainly a woman's responsibility
C、really enjoyable
(3).A、look after
B、be different from
C、look like
(4).A、loving walking and talking
B、character
C、loving animals
(5).A、affectionate
B、humorous
C、critical
第9题：
A.grow up
B.feed
C.raise
D.bring up
第10题：
It seems like every time we (), things are going up, especially fuel and supplies.
A、turn around
B、turn aside
C、turn away
D、turn out