Which of the following can be inferred from Paragraph 3 about Bauhaus?A．It was founded by Ludwig Mies van der Rohe.B．Its designing concept was affected by World War II.C．Most American architects used to be associated with it.D．It had a great influence upo

题目

Which of the following can be inferred from Paragraph 3 about Bauhaus?

A．It was founded by Ludwig Mies van der Rohe.

B．Its designing concept was affected by World War II.

C．Most American architects used to be associated with it.

D．It had a great influence upon American architectrue.

参考答案和解析

正确答案：D
解析：推理题。题干的Bauhaus定位在第三段第二句，因此答案指向第二句。第二句是个长难句，。

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相似问题和答案

第1题：

It can be inferred from the passage that by the end of World War Ⅱ , most Americans ______.

A. were very rich

B. lived in poverty

C. did not own automobiles

D. had own automobiles

正确答案：C
41．第二段倒数第二句。到二战结束时，美国人满足了第二个等级，然后第三个等级才出现。第三个等级是对车子和新房子的需求。选项 C是正确的。

第2题：

It can be inferred from the last paragraph that outside directors______.

A．may stay for the attractive offers from the firm

B．have often had records of wrongdoings in the firm

C．are accustomed to stress-free work in the firm

D．will decline incentives from the firm

正确答案：A
解析：推理题。题干定位在最后一段，没有明确的定位。因此需要分析段落结构，找到作者所暗示的内容。最后一段首先提到独立董事会在公司坏消息出现前离开以避免影响自己的声誉。然后提到了需要奖励来留住他们，否则Simmons女士的例子会重现。

第3题：

It can be inferred from the last paragraph that before the Second World War,______.

A．malaria had taken few lives in Sri Lanka

B．malaria had been a very serious problem in lowland regions in Sri Lanka

C．malaria had remained unrestrained in Sri Lanka

D．malaria had been already put under control in Sri Lanka

正确答案：B
解析：从文中可以看出，技术进步消灭了导致疾病的蚊子，并因而使科研人员认为技术进步是预期寿命上升的主要原因。可见，当时 malaria在斯里兰卡是一个严重的问题。

第4题：

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.
Which of the following can be inferred from Paragraph 3 about the Bauhaus?

A.It was founded by Ludwig Mies van der Rohe.
B.Its designing concept was affected by World War II.
C.Most American architects used to be associated with it.
D.It had a great influence upon American architecture.

答案：D

解析：

推理题【命题思路】这是一道封闭式推理题，需要对文章第三段的信息进行锁定，从而推理判断得出答案。【直击答案】根据题干信息“Bauhaus”定位到第三段。该段最后一句“These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.”可知These designers，即Ludwig Mies van der Rohe以及other people associated with the Bauhaus，对美国建筑有很大影响，故D项正确。【干扰排除】第三段第二句中who引导的定语从句只是说Ludwing Mies van der Rohe和Bauhaus有关联而非创建者，故排除A项。与Bauhaus有关联的Ludwig Mies van der Rohe是在二战前移民美国的，但文中并未提及它的设计理念受二战影响，故B项不选。原文中只提到Bauhaus与其他人有关联，但并未说明这些人大部分是美国人，因此C项属于过度推理。

第5题：

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.
Mies held that elegance of architectural design____

A.was related to large space
B.was identified with emptiness
C.was not reliant on abundant decoration
D.was not associated with efficiency

答案：C

解析：

细节题【命题思路】这是一道局部细节题。需要对文章第四段的信息进行锁定，从而推理判断得出答案。【直击答案】根据题干信息定位到第四段第二句“Elegance,he believed,did not derive from abundance.”这句话中“he believed”是题干中“Mies held”的同义置换。“derive from”为固定搭配，意为“源于”，C项中“reliant on”意为“依靠”，因此C项中的was not reliant on和原文中的did not derive from是同义置换。原文中的abundance就是指abundant decoration，故C项正确。

第6题：

"The pen is more powerful than the sword (剑)." There have been many writers who used their pens to fight things that were wrong. Mrs. Harriet Beecher Stowe was one of them. She was born in the USA in 1811. One of her books not only made her famous but has been described as one that excited the world, and was helpful in causing a civil war and freezing the slaves. The civil war was the American Civil War of 1861, in which the Northern States fought the Southern States and finally won. This book was named "Uncle Toms Cabin". There was time when every English-speaking man, woman, and child has read this novel that did so much to stop slavery. Not many people read it today, but it is still very interesting. The book has shown us how a warm-hearted writer can arouse (唤起) peoples sympathies (同情). The writer herself had neither been to the Southern States nor been a slave. The Southern Americans were very angry at the novel, which they said did not at all represent (代表) true state of affairs,

1、According to the passage ( ).

A、every English-speaking person had read "Uncle Tom's Cabin"

B、"Uncle Tom's Cabin" was not very interesting

C、those who don''t speak English can not have read "Uncle Tom's Cabin"

D、the book "Uncle Tom's Cabin" did a great deal in the American Civil War

2、How old was Mrs. Stowe when her world famous book was published? ( )

A、About 60 years old.

B、Over 50 years old.

C、In her forties.

D、Around 30 years old.

3、What do you learn about Mrs. Stowe from the passage? ( )

A、She had been living in the north of America before the American Civil War.

B、She herself encouraged the northern Americans to go to war and set the slaves free.

C、She was better as writing as using a sword.

D、She had once been a slave.

4、Why could Mrs. Stowe's book cause a civil war in America? ( )

A、She wrote so well that Americans loved her very much.

B、She disclosed (揭露) the terrible wrongs that had been done to the slaves in the Southern States.

C、The Southern Americans hated the book while the Northern Americans like it.

D、The book had been read by many Americans.

5、What can we learn from the passage? ( )

A、We needn't use weapons (武器) to fight things that are wrong.

B、 writer is more helpful in a war than a soldier.

C、We must understand the importance of literature and art.

D、No war can be won without such a book as "Uncle Tom's Cabin".

正确答案：1D 2C 3A 4B 5C

第7题：

Which of the following is true of the squirrel bridge?__________

A.It was replaced by a longer one
B.It was built from wood and metal
C.it was rebuilt after years of use
D.It was designed by Bill Hutch

答案：C

解析：

根据文章倒数第二段中的“In 1983，after 20 years of use，Peters took down the wom．outbridge．Repairs were made and crosspieces were replaced．"可知，绳索用了20年后，Peters进行了修缮，并替换上了新的绳索。因此C为正确答案。文中没有涉及是否替换的绳索更长：第五段中提到绳索是铝制的；Bill Hutch是参与施工者，而非设计者，故均排除。

第8题：

Which of the following statements is true?

A. The author's father built a bonfire on VE Day.

B. The author's father had fought in the First World War.

C. The author's father had fought in the Second World War.

D. The author's father threw two chairs on the fire to keep it going.

正确答案：B
42．文章最后一段第二行，作者说他的父亲曾经参加过第一次世界大战。但并未提及他是否参加了“二战”。选项 B是正确的。

第9题：

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.
The postwar American housing style largely reflected the Americans_____

A.prosperity and growth
B.efficiency and practicality
C.restraint and confidence
D.pride and faithfulness

答案：C

解析：

细节题【命题思路】这是一道局部细节题，需要根据题干关键词锁定文章的具体信息，从而得出答案。【直击答案】根据题干信息“The postwar American housing style”定位到第二段最后一句“…Americans had learned to live with less，…positively stylish.”根据这句话可知，战后美国的住房风格反映了美国人的“restraint”和“confidence”，故C项正确。【干扰排除】首段的“a time of prosperity and growth”指的是美国当时的时代背景，并不是指美国人的特征，A项属于偷换概念，故不选。第二段末句“…made small,efficient housing positively stylish.”中“efficient”指的是美国住房风格，故B项错误。文中并没有提及美国人的自豪及忠诚，故D项属于无中生有。

第10题：

Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.
What can we learn about the design of the“Case Study House”?

A.Mechanical devices were widely used.
B.Natural scenes were taken into consideration.
C.Details were sacrificed for the overall effect.
D.Ecofriendly materials were employed.

答案：B

解析：

推理题【命题思路】这是一道封闭式推理题，需要对文章末段的信息进行锁定，从而推理判断得出答案。【直击答案】根据题干信息“the design of”和“Case Study House”定位到末段第二句“Aesthetic effect…detailing.”。意思是“美学效果来自自然景色、新材料的使用以及明了的细节设计”，由此可推断出设计“Case Study House”时考虑到了自然景观，故B项正确。【干扰排除】第三句“In his…everyday life…”提到Ralph Rapson在当时错误预测了机械革命如何给人们日常生活带来影响，但无法得知是否大量应用机械设施，故A项错误。由末段第二句中的“forthright detailing”（明了的细节设计）可知C项“sacrificed（牺牲）for the overall effect”与原文信息相反，故不选。末段第二句中提到了“materials”，但是原文中是“new materials”而非D项中的“Ecofriendly materials”，故D项错误。长难句解析

Which of the following can be inferred from Paragraph 3 about Bauhaus?A．It was founded by Ludwig Mies van der Rohe.B．Its designing concept was affected by World War II.C．Most American architects used to be associated with it.D．It had a great influence upo

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